No Manches Frida 2 trailer, review, release date, dc wiki, dc comics, Budget, imdb Rating, Cast, Cast Salary 2019

Ex-convict Zequi is about to marry Lucy, the love of his life, until jitters turn into a full-blown fiasco and she calls off the wedding. Meanwhile, the school finds itself in deep trouble as the gang heads to the water to compete in the tournament of their lives. Once they’re all seaside, Lucy runs into her old high school sweetheart – the coach of the opposing squad. Zequi must now pull out all the stops to wrangle in the rowdy students, win back Lucy and save the school from shutting down.
Initial release: March 15, 2019 (USA)
Director: Nacho Garcia Velilla
Film series: No Manches Frida

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No Manches Frida 2  Full Movie synopsis :  

When the seemingly reformed ex-con Zequi is about to marry the love of his life, the lovably nerdy Lucy, wedding day jitters turn into a full blown fiasco and Lucy calls the wedding off. Meanwhile, the school finds itself in deep trouble and the gang heads to the water to compete in the tournament of their lives. Once they’re all seaside, Lucy runs into her high school sweetheart Mario, whom since she last saw him has transformed into a smoking hot hunk. He’s coach of the opposing squad and Zequi finds himself a rival in more than one competition. Now he has to pull out all the stops to wrangle in his rowdy kids, win Lucy back, and in case that wasn’t enough, save the school from shutting down by leading Frida High to victory!

No Manches Frida 2  Full Movie INFO:  

Directed by Nacho G. Velilla
Produced by Eddie Allen
Martha Higareda
Written by Laurence Rosenthal Claudio Herrera & Sergio Adrian Sanchez
Based on Fack ju Göhte
by Bora Dagtekin
Starring Omar Chaparro
Martha Higareda
Carla Adell
Mario Morán
Music by Juanjo Javierre
Cinematography David Omedes
Edited by Angel Hernandez Zoido
Televisa Cine
Pantelion Films
Alcon Entertainment
Constantin Film
Neverending Media
Distributed by Pantelion Films (USA)
BF Distribution (Chile)
Release date
  • March 15, 2019
Running time
100 minutes
Country Germany
United States
Language Spanish
Box office $12.4 million

No Manches Frida 2  Full Film Review: 

The Riviera Nayarit will serve as the location for the filming of sequel to the movie No Manches Frida, starring Martha Higareda and Omar Chaparro, which will be screened in early 2019 in 1,500 theaters around Mexico, several countries in Latin America, and in the United States. Filming begins on May 6th in Punta de Mita.

 Producers Argüelles, Lebrija, Allen, and Higareda met at the W Punta de Mita hotel to scout the facilities, as they expect to shoot 70% of No Manches Frida 2 in that location, with the balance shot in Mexico City and Puerto Vallarta. The film will be distributed by Pantelion and Videocine.

The first part of No Manches Frida hit the screens in 2016 to considerable acclaim, which led to this sequel. The movie tells the story of “Zequi,” to thief who once out of jail decides to return to get the money he buried with his accomplice in an empty lot-which is now the site of the gymnasium for the Frida Kahlo Institute junior high school . The thief signs on as a substitute teacher, but in order to get what he needs to have deal with fellow teacher “Lucy” and a handful of rebellious students.

Mauricio Argüelles commented they hope to repeat the success of the first movie with this sequel, which is why they have already signed on the starring couple, as well as Regina Pavón and Mario Morán, and Vallarta actor Aarón Díaz.

According to Martha Higareda, though, they have also secured the participation of the children from the 4th B class-who are now in the 5th B class-to play the same characters they did in the first part; The participation of a seasoned actress was also secured, although she declined to give her name, saying that “growing up, I was one of her biggest fans.”

The shoot will take place over a total of seven weeks in locations in the Riviera Nayarit mainly at the W Punta de Mita hotel with its original design, inspired by the Huichol culture and its unparalleled magic.

The actress states she was very pleased to be shooting in the Riviera Nayarit and to be a sort of “ambassador” with each of the movies she produces and or stars in.

“Movie magic is beautiful, as is the case of No Manches Frida, where we shot on location at a tourism destination. The movie travels around and will be shown in Mexico, the United States, and in different countries around Latin America. “

“It’s always been a very important personal mission to be able to share stories with a universal message that are also set in some of the most beautiful locations in our country-and then share them around the world (…) So whenever possible when I ‘m either producing or acting in a movie, I always say’ let’s shoot it and showcase the best our country has to offer. ‘

Higareda shared that once the filming began they will be hiring locals for secondary roles or as extras, as well as for work behind the cameras. Not only that, but a movie of the scale of No Manches Frida will always bring people, who will eat at the restaurants or visit local businesses.

“This is a great opportunity for those girls and boys who have either dreamed of being in acting or who love the cinema and want to know what goes on behind the cameras. It’s very important to hire local people, because there are a lot of hard working, talented people here, “she added.

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Finally, the actress-who made her name with Amar te Duele, Así del Precipicio, and Niñas Mal, and who recently entered the Netflix market with Altered Carbon-still finds joy in the smaller things of life, such as “standing in front of this amazing ocean and watching a gorgeous sunset; this is what we need to put on the big screen and show everywhere so people come and visit Mexico. “

Faith, Hope & Love trailer, review, release date, dc wiki, dc comics, Budget, imdb Rating, Cast, Cast Salary 2019

A recent divorcee enters a dance contest in a desperate attempt to save her dance studio.
Initial release: March 15, 2019 (USA)
Directors: Robert Krantz, J.J. Englert
Screenplay: Robert Krantz
Producer: Robert Krantz


Faith, Hope & Love Full

Film synopsis :  

Faith, Hope & Love is a heartwarming romantic comedy about two vulnerable, lost souls who have suffered deep losses and have their guards up, as a result, “the film’s website reads. “When they enter a dance contest, their lives connect, and they begin to discover new perspectives on life, love, and faith.”

In the film, Murgatroyd plays dance instructor Faith Turley, who is partnered with widower Jimmy Elpidas (Robert Krantz) for a dance competition.

“I am horrible at dating,” Faith says while at dinner with Jimmy.

In the promo, Jimmy asks Faith, “What happened to your date?” And she replies, “My heart just was not in it” as her real-life husband and fellow DWTS pro Maks Chmerkovskiy appears.

Later in the trailer, Faith says to Jimmy, “I do not know what’s on your heart, but I hope it’s me.”

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Faith, Hope & Love Full Movie INFO:  

Dancing with the Stars’ Peta Murgatroyd is ditching the ballroom for the big screen in 2018. Deadline announced today that Murgatroyd has landed her first acting gig in a faith-based family film called Faith, Hope & Love.

Murgatroyd will star as Faith Turley, a recently divorced woman whose troubles are compounded by the fact her dance studio is in jeopardy of being shut down. Needing money, Faith enters “Pro and a Schmo” dance contest where she partners with Jimmy Hope (Robert Krantz). It is this partnership that leads Faith to begin to rediscover her faith in life, love and the pursuit of her dreams.

This role sounds like the perfect opportunity for Murgatroyd to show off her acting chops as well as her dancing abilities. She’ll likely have a good partner in Krantz too, who is not stranger to the dance floor. Do not believe us? Just check out his 1999 film, Do You Want to Dance?

There’s no news yet as to the filming of this movie will interfere with Dancing with the Stars, but if the two productions overlap, Murgatroyd might have to stick to the ensemble numbers instead of being a full-time pro.

Murgatroyd is not the first DWTS pro to transition to acting. Both Derek and Julianne Hough, as well as Mark Ballas, have successfully transitioned into acting. And Murgatroyd did appear opposite her husband Maks Chmerkovskiy in the Broadway dance showcase Burn the Floor.

Faith, Hope & Love is currently for a November 2018 release.

Faith, Hope & Love Full Film Review: 

Coming November 4th will be the exclusive Chicagoland premiere of the new movie Faith, Hope & Love by Director and Producer Robert Krantz starring Peta Murgatroyd from Dancing With the Stars and award winning actor, Ed Asner.

Find out what happens in this heartwarming romantic comedy when Faith Turley (Peta Murgatroyd) and Jimmy Hope (Robert Krantz) enter a dance contest; their lives connect, and they begin to discover new perspectives on life, love, and faith. You will be truly inspired by this amazing family film!

St. Nicholas Greek Orthodox Church at 10301 S. Kolmar, in Oak Lawn, IL invite you to their fall fundraiser which will be a private viewing of the new movie Faith Hope & Love on November 4, 2018 at 3:30 pm.

Do not miss this extraordinary opportunity to see this uplifting family story before it’s release! The movie also stars Robert Krantz, who is also known for his other films such as Christmas With the Karountzes and Do You Wanna Dance?

During cocktail hour and during the viewing enjoy complimentary hors d’oeuvres and award-winning Greek desserts featured on Chicago’s Best.

Faith, Hope & Love  Full Movie Watch

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Also listen to the music of pianist, Alexis and take advantage of the opportunity to meet and take photos with Robert Krantz.


The Hummingbird Project trailer, review, release date, dc wiki, dc comics, Budget, imdb Rating, Cast, Cast Salary 2019

Cousins Vincent and Anton are players in the high-stakes game of high-frequency trading, where winning is measured in milliseconds. Their dream is to build a straight fiber-optic cable line between Kansas and New Jersey, making them millions, but nothing is straightforward for this flawed pair. Anton is the brains, Vincent is the hustler, and together they push each other and everyone around them to the breaking point with their daring adventure.
Initial release: March 15, 2019 (USA)
Director: Kim Nguyen
Producer: Pierre Even
Screenplay: Kim Nguyen
Distributed by: The Orchard, Elevation Pictures

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Film synopsis :  

Jesse Eisenberg and a very bald Alexander Skarsgård star in The Hummingbird Project, a thriller about … fiber-optic cable? That may not sound particularly thrilling, but it’s all in the name of making cold, hard cash. The duo want to run the fiber-optic cable to get to jump on the stock market before everyone else – but their task will not be easy. They’re going to have to go up against a powerful trader, played by Salma Hayek. Watch The Hummingbird Project trailer below.


Directed by Kim Nguyen
Produced by Pierre Even
Written by Kim Nguyen
  • Jesse Eisenberg
  • Alexander Skarsgård
  • Michael Mando
  • Salma Hayek
  • Sarah Goldberg
  • Anna Maguire
  • Frank Schorpion
  • Johan Heldenbergh
  • Kwasi Songui
  • Aiysha Issa
Music by Yves Gourmeur
Cinematography Nicolas Bolduc
Edited by
  • Arthur Tarnowski
  • Nicolas Chaudeurge
  • Item 7
  • Belga Productions
  • Automatik
  • HanWay Films
  • Telefilm Canada
Distributed by
  • The Orchard
  • Elevation Pictures
Release date
  • September 8, 2018 (TIFF)
  • March 15, 2019 (United States)
Running time
111 minutes
  • Canada
  • Belgium
Language English

Film Review: 

The Orchard has released the trailer for The Hummingbird Project. The film follows cousins Vincent (Jesse Eisenberg) and Anton (Alexander Skarsgard) who are trying to build a straight fiber-optic cable from Kansas to New Jersey that will give them an edge in high-frequency trading, but they’re pitted against their old boss Eva Torres (Salma Hayek) who’s trying to beat them at their own game.

The film looks fun for what it is even if it does not leave much of an impact. It’s the kind of thing where you wish it was based on a true story because as fiction, it does not seem outlandish enough to warrant much interest. Still, I like putting Eisenberg, Skarsgard, and Hayek together to see what happens, and there’s nothing wrong with some light entertainment. The Hummingbird Project did not really make waves when it played at TIFF last year, but it could still be a perfectly serviceable movie.

The Hummingbird Project “feels so much like it’s” inspired by true events “- a claim that tends to get hung on even the most outlandish genre exercise these days – viewers may have to keep reminding themselves that Kim Nguyen’s latest feature is in fact entirely fictive .

Recalling “Social Network” in that it once again casts Jesse Eisenberg as the engine behind a high-stakes, e-commerce-driven project – with a dweebified Alexander Skarsgård as his code-writing cousin – this is an entertaining vehicle for vivid performances by both actors. Yet, though the film shows signs of wanting to demonstrate the folly of an ever-faster-paced world in which people lose sight of life’s truer values, the message is a submerged in a family tale of entrepreneurial striving against impossible odds.

With a narrative of this nature, the lack of a true-story hook could be hobble promotional efforts and awards please, though, reviews should be strong enough to help boost a picture whose central quest – efforts to build a fiber-optic tunnel – does not comprise the sexiest movie pitch.

The tunnel is the brainchild of Vincent (Eisenberg) and Anton (Skarsgård), cousins ​​of Russian-Jewish heritage who live in New York City and otherwise work for the ruthlessly demanding Eva Torres (Salma Hayek), a Wall Street CEO. Technology has reached a point where billions of dollars can ride on getting information just at a bit bit ahead of a competitor: If fiber-optic cable were laid from a core exchange in Kansas to the Street’s New Jersey data bank, and if brilliant coder Anton could reduce communication time by a millisecond or so – the speed of a hummingbird’s single wing-beat – the cousins ​​would be (at least temporary) kings of the financial sector, and set for life.

They’re not about to share their idea with the all-controlling Eva, so eleven they’ve secured a chief engineer (played by Michael Mando) and principal financier (Frank Schorpion) for the massive project, they submit their resignations. Infuriated by the defection, she dogs them with spies and legal threats. But equally daunting are the practical obstacles that beset the absurdly ambitious and risky undertaking – from gaining permission to dig narrow tunnels under national parks, private homes, swamps, mountains and the fields of resistant fraction of a second.

Skarsgard, almost unrecognizable as the stooped, balding Anton, goes to the brink of caricature with his amusingly stereotypical brainiac turn; the character is such a socially inept geek it’s a wonder I have an attractive wife (Sarah Goldberg) and kids. Pushing past the point of caricature is Hayek, who does not shrink from putting a touch of glam camp on her villainess. Supporting turns are more realistically grounded, notably Mando’s rock-steady engineer.

But it’s Eisenberg who lends the film its most human notes. What starts out as another motormouthed hustler act – a less sociopathic spin on his “Social Network” interpretation – hits a major speed bump as Vincent gets some serious health news midway through the proceedings. Choosing to keep things to himself, since the project will likely flounder without him, I have suffers in a pained silence that provides the movie’s only real poignancy.Though shot in Canada, “The Hummingbird Project” does a convincing enough job of evoking to sprawl of local American, with much of the action taking place on tunnel sites that lend to welcome emphasis on diverse, often spectacular landscapes. This very different story for globetrotting Quebecois Nguyen feels more impersonal in some ways than such prior features as the Oscar-nominated “Rebelle” or last year’s “Eye on Juliet,” but it retains his sharp sense of empathy – and grasp of pacing and character – within the potentially too-wonky thematic framework.

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Tech and design contributions are straightforward and first-rate. Occasional flights of slo-mo visual poetry underline why it might be foolish for humanity to speed up life too much.

The Mustang trailer, review, release date, dc wiki, dc comics, Budget, imdb Rating, Cast, Cast Salary 2019

A violent convict is given the chance to participate in a rehabilitation therapy program centered around the training of wild mustangs.
Initial release: March 15, 2019 (USA)
Director: Laure de Clermont-Tonnerre
Producer: Alain Goldman
Cinematography: Ruben Impens
Screenplay: Laure from Clermont-Tonnerre, Mona Lerche, Brock Norman Brock

Film synopsis :  

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Robert Redford may or may not be retiring from acting, but he’s keeping busy behind the camera, executive producing an inspiring horse drama starring Red Sparrow’s Matthias Schoenaerts. In The Mustang, Schoenaerts stars as a violent, unhinged convict who undergoes a unique state-mandated rehabilitation program that teaches him to tame wild horses.



The era of the modern horse film gallops on, with no signs of slowing down. With Chloé Zhao’s “The Rider” recently named Film Comment’s top movie of the year and Andrew Haigh’s “Lean on Pete” landing on more than a few critics’ end-of-year lists, it seems the special bond between a man and his horse continues to captivate indie filmmakers.

The newest entry into this growing canon is “The Mustang,” a sensitive drama from executive producer Robert Redford that will premiere at the next year’s Sundance Film Festival before a spring release from Focus Features.


Film Review: 

The official synopsis reads: “Roman (Matthias Schoenaerts), a convict in a rural Nevada prison who struggles to escape his violent past, is required to participate in an ‘outdoor maintenance’ program as part of his state-mandated social rehabilitation. Spotted by a no-nonsense veteran trainer (Bruce Dern) and helped by an outgoing fellow inmate and trick rider (Jason Mitchell), Roman is accepted into the selective wild horse training section of the program, where he finds his own humanity in gentling an especially unbreakable mustang. “The Mustang” is the feature directorial debut of French actress-turned-director Laure de Clermont-Tonnerre. She co-wrote the script with frequent Brady Corbet collaborator Mona Fastvold, as well as Brock Norman Brock, who wrote the script for Nicolas Winding-Refn’s “Bronson” with Tom Hardy.

Best known for his work in indies like “Bullhead” and Jacques Audiard’s “Rust and Bone,” Belgian Schoenaerts recently appeared in “Red Sparrow” and “The Danish Girl.” After a long and fruitful television career, a role in a critically lauded indie could add a shot of adrenaline to a movie career for co-star Connie Britton.

Roman Coleman (Matthias Schoenaerts) is the kind of man who would get into a fistfight with a horse. In fact, that’s exactly what the bald-headed bruiser does the first time he’s placed in a round pen with the unruly mustang who has been assigned to tame and prepare for auction. Never mind that the stallion weighs upwards of 1,000 pounds, or – for that matter – that horses do not have fists; Roman only knows how to express himself through violence. That’s why he’s been locked up in the Northern Nevada Correction Center for the better part of a decade, and why his long prison stint has been interrupted by stretches of solitary confinement.

“I’m not good with people,” Roman growls at the prison psychologist (Connie Britton) who tries to help ease him back into the general population. It would not seem that better with animals. And yet, he recognizes himself in that one rambunctious bronco; I can not help but relate to another living creature who puts up that much of a fight. And over the course of Laure de Clermont-Tonnerre’s poetic and elementary feature debut, these two feral beasts will take each other as best they can.

It’s never easy to break a wild animal, but the prologue of Clermont-Tonnerre’s film wordlessly expresses how difficult it can be, as a (very) low-flying helicopter is used to steer the herd into a small pen, its blades slicing through the air just a few mere feet away from so many unkempt manes. It’s a visceral introduction – our first glimpse of the rugged Mountains that cradle the jail and cut it off from the world – and one that conveys the raw energy that’s contained by any kind of prison.

It’s the kind of barely suppressed power that Schoenaerts has embodied since his breakout performance in “Bullhead” – even in his more docile roles he often seems as though he’s threatening to burst out of his own skin. Clermont-Tonnerre’s script, co-written with Mona Fastvold and Brock Norman Brock, taps right in that impotent rage, while also reducing Roman to a little kid who is not in control of his own emotions. It seems like a minor miracle every time he manages to grimace through an interaction without hurting himself or someone else; each instance is as warmly unnatural as the scene where a severe thunderstorm rolls over the yard, forcing all of the horses into the prison’s kitchen for safety. Schoenaerts has never been better.

This is a short but patient film that is filled with evocative imagery and always fully invested in the moment at hand (at one point, the entirety of “The National Anthem” plays as the camera watches the prisoner bristle under their tense riders), it’s easy to forgive a very spare narrative that does not always earn the change it claims to instigate in its characters.

“The Mustang” is much stronger at the start and the finish – at the extremes of its emotions – than at the navigating between them. The first scene between Roman and the horse he later names Marquis is especially powerful. It almost feels like an homage to the opening bit from “Jurassic Park,” as the stallion is stuck inside of a dark enclosure and doing serious damage to anyone dumb enough to get too close.

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The prisoner is so obviously electrified by that anger that the old coot who runs the program (to delightfully abrasive Bruce Dern) insists that he is a part of it. If Roman can break this horse, maybe he’ll be able to break himself. Judging by the way I have snaps at his pregnant teenage daughter (“Blockers” star Gideon Adlon), I have a long way to go.

Triple Frontier trailer, review, release date, dc wiki, dc comics, Budget, imdb Rating, Cast, Cast Salary 2019

Former Special Forces operatives reunite to plan a heist in a sparsely populated multi-border zone of South America. For the first time in their prestigious careers, these unsung heroes take this dangerous mission for themselves instead of the country. But when events take an unexpected turn and threaten to spiral out of control, their skills, their loyalties, and their morals are pushed to breaking point in an epic battle for survival.
Initial release: March 6, 2019 (USA)
Director: J. C. Chandor
Production company: Atlas Entertainment
Screenplay: J. C. Chandor, Mark Boal
Producers: Charles Roven, Neal Dodson

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Film synopsis :  

It was a true joy to see our internet boyfriends assembled together, showing off their best smolder for the premiere of Triple Frontier on March 3 in NYC. Ben Affleck, Charlie Hunnam, Oscar Isaac, Garret Hedlund, and Pedro Pascal reunited on the red carpet to promote their action flick, which hits Netflix on March 13. They could not help joking around and whispering as they posed for photos – maybe they were they reminiscing on their shirtless shoots in Hawaii? Those days are certainly tough for us to forget.

See some of the best snaps from the night below, and catch up on the Triple Frontier trailers before the movie drops next week.



Directed by J. C. Chandor
Produced by
  • Charles Roven
  • Alex Gartner
  • Andy Horwitz
  • Neal Dodson
Screenplay by
  • Mark Boal
  • J. C. Chandor
Story by Mark Boal
  • Ben Affleck
  • Oscar Isaac
  • Charlie Hunnam
  • Garrett Hedlund
  • Pedro Pascal
Music by Disasterpeace
Cinematography Roman Vasyanov
Edited by Ron Patane
Atlas Entertainment
Distributed by Netflix
Release date
  • March 6, 2019 (United States)
  • March 13, 2019 (Netflix)
Running time
125 minutes
Country United States
Language English

Film Review: 

In March, there is going to be a host of new content on Netflix, both originally produced and from other production companies. Here are some of the series and movies you need to keep your eye out for.

Streaming service Netflix had a great run at the recent Oscars 2019 ceremony, mostly thanks to Alfonso Cuarón’s Roma. In March, there is going to be a host of new content on Netflix, both originally produced and from other production companies.Here are some of the series and movies you need to keep your eye

Delhi Crime: Starring Shefali Shah and Adil Hussain in pivotal roles, this series is a dramatized version of Delhi police investigation into the horrific 2012 Delhi gang rape. The seven-episode series premiered at the Sundance Film Festival. It is directed by Indo-Canadian filmmaker Richie Mehta. It will stream on Netflix from March 22.

Triple Frontier: This film looks more studio-caliber than any other film Netflix has produced. The cast for Triple Frontier consists of Ben Affleck, Oscar Isaac, Charlie Hunnam, Garrett Hedlund and Pedro Pascal. The trailer promises an action-packed film that has been used by US special forces looking to rob a drug baron using the skills they learned in the armed forces. The film releases on March 13.

Turn Up Charlie: The last time Idris Elba collaborated with Netflix, it was for Cary Fukunaga’s Beasts of No Nation, in which he played a sadistic, brutal warlord who runs an army of child soldiers in an unnamed African country. Turn Up Charlie’s content is less, let’s say, serious. The synopsis says Elba plays “a struggling DJ and eternal bachelor, who is given a final chance at success when he reluctantly becomes a manny to his famous best friend’s problem-child daughter.” The series premieres on March 15.

Get Out: Jordan Peele’s Get Out, for which the director won Best Original Screenplay Oscar, scared people because he has ghosts; It was scary because it brought in focus the thing that most Americans do not like to talk about – casual racism. The film will begin streaming from March 24.

Wonder Woman: DC Extended Universe’s biggest domestic box office hit yet, Patty Jenkins’ Wonder Woman broke new ground in terms of a female-led superhero movie being released as the major commercial studio film, and went on to break multiple box office records. It was also a fantastic film, harkening back to 1978’s Superman than any of the modern films from that genre. It will stream on Netflix from March 2.

Inglorious Basterds: Considered one of Quentin Tarantino’s best films, Inglorious Basterds is based on a fictional team of Jewish American soldiers who go on a spree of killing and scalping German soldiers during World War II. More than anything, the film acts like a catharsis. In a typical Tarantino fashion, the film does not take anything seriously on the surface.

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But also like other Tarantino movies, it takes a devilish delight in violence and despite the apparent frivolity, has a realistic depiction of Jewish plight. It will arrive on March 26.

Ash Is Purest White trailer, review, release date, dc wiki, dc comics, Budget, imdb Rating, Cast, Cast Salary 2019

In an industrial city in China, a young dancer named Qiao falls in love with a mobster named Bin. When a fight breaks out between rival gangs, Qiao uses a gun to protect Bin and is sent to prison for five years.

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Initial release: March 15, 2019 (USA)
Director: Jia Zhangke
Language: Standard Chinese
Mandarin: jiānghú érnǚ
Nominations: Palme d’Or, Cannes Best Actress Award,

Film synopsis :  

Set in China’s underworld, this tale of love and betrayal follows a dancer who fired a gun to protect her mobster boyfriend during a fight. On release from prison 5 years later, she sets out to find him.


Mandarin jiānghú érnǚ
Directed by Jia Zhangke
Written by Jia Zhangke
Starring Zhao Tao
Liao Fan
Release date
  • 11 May 2018 (Cannes)
  • 21 September 2018 (China)
Running time
150 minutes
Country China
Language Mandarin

Film Review: 

Jia Zhang-ke was never going to make a conventional jianghu underworld movie, and even if genre elements and hard-edged character are woven into Ash Is Purest White, this typically unhurried, long-span drama is very much of a piece with the Chinese auteur’s contemplative body of work. Starting in 2001 and ending on a melancholy New Year’s Eve that ushers in 2018, the film provides a transfixing leading role for Jia’s wife and indispensable muse Zhao Tao. She plays a woman from a dying coal-mining town in love with a local mobster, their complicated relationship unfolding against the backdrop of a country changing at a dizzying pace.

The evolution of contemporary China, of course, has always been Jia’s central theme as tradition has made way for modernity, bringing both losses and gains, while Western influences and technology have pierced cultural insularity. That canvas is more casually observed here than in some of the director’s earlier films, many of which find direct echoes – the surreal UFO element of Still Life; The three-part structure of Mountains May Depart – in a discursive drama that should please amateurs of Jia’s distinctive work though perhaps contains too many cryptic detours for wider exposure.

The film opens with digital video footage shot in 2001 in Jia’s northwest home province of Shanxi, showing a baby girl in USA dungarees unsmilingly surveying a busload of chain-smoking miners. At the same time, the swelling score blends traditional themes with modern electronic sounds and a touch of ceremonial drumming. This is the new China, or at least it was at the start of the 21st century.

Zhao seems to have stepped right out of her role in 2002’s Unknown Pleasures to play Qiao, a local beauty who takes no crap from the men that frequent the gambling den in the back of a nightclub dominated by the presence of her boyfriend Guo Bin (Liao Fan from Berlin festival winner Black Coal, Thin Ice). While everyone else is busy sucking up to Bin, Qiao is a woman who refuses to be intimidated by the male environment; she greets Bin with a sharp but affectionate bite on the shoulder and gives playful thumps to the regulars in a scene that instantly establishes the character as not worth decorative prop.

It’s Qiao, not Bin, who leads to celebratory toast to “the brotherhood,” and it’s the spouse of the time-honored jianghu codes of loyalty and righteousness that will outlast the convictions of her partner.

Qiao confidently straddles the divide between traditional values ​​and the less marginalized status of the modern Chinese woman. She shows loving concern for her aging father, who rails drunkenly against threats to mineworker job security, but turns spiky with anyone lacking respect for Bin. And while she struts her stuff in a fun formation routine to The Village People’s “YMCA” (in Mountains, it was the Pet Shop Boys cover of “Go West”), she deems ballroom dancing “too Western” for her taste. But that and animal documentaries are the pet fixes of Bin’s senior associate, a crooked property developer who disappears way too soon at the hands of a rival gang.

When Bin is targeted by a group of young thugs on motorcycles – a violent action set piece that is easily the most exhilarating sequence – Qiao saves him from being beaten to death by firing warning shots from the Chekhovian gun prominently featured in earlier scenes. Her refusal to incriminate her boyfriend as the illegal weapon’s owner gets her a five-year prison sentence.

The movie’s midsection then shifts upon Qiao’s release in 2006 to the Three Gorges area as she sails down the Yangtze River looking at villages destined to disappear underwater in a planned hydroelectric dam project. Again, evidence of a vanishing China. No doubt feeling guilty about his failure to visit his in prison, Bin blocks his calls and sends other people to convey the news that he’s moved on. But Qiao wants to hear it from his lips.

In the meantime, she gets robbed of her cash and ID card, but in a wryly funny series of scenes, she makes use of skills she picked up around the prison yard to get back on her feet, starting by crashing a wedding to get a meal . The funniest of her scams involves spotting likely philanderers and bilking them for cash during family festivities at a banquet hall. The tone then shifts from amusing to mournful when she finally gets to confront Bin, in an exquisite extended scene that’s all the more affecting for its stillness and quiet.

The final section jumps ahead almost to the present day, with Qiao returned to Shanxi running to gambling house of her own, to survivor and yet an eternal outsider in this strange new world. Bin’s greatly reduced circumstances send him back to him, but while she claims to feel nothing for him, her humanity renders her unable to derive pleasure from his misfortunes. The wrap-up is somewhat protracted and seems poised to end more than once, but as always with Jia’s films, I have packs such soulfulness into the conclusion that any digressions can be forgiven.

Ash Is Purest White  Full Movie Watch

Ash Is Purest White Full Movie Download


This latest feature is Jia’s first shot by regular cinematographer Yu Lik Wai. Noted French d.p. Eric Gautier steps in with assurance, fluidly integrating footage from different generation DV cameras that allow the visual textures to change with the passing of the years. Gautier has a sharp eye for bold splashes of scorching color, but the look of the film is generally composed, almost understated, lending gorgeous scope to the occasional panoramic shots of landscapes or architecture.

The performances of the two leads are riveting. Liao initially projects a cool authority but is warm and at times almost deferential with Qiao, suggesting an understanding between the two that renders thoughts of marriage irrelevant. Even later, when experience has soured Bin, there’s a molten core beneath his abrasive manner. And Zhao virtually assembles a mini-retrospective of her roles for Jia, referencing many of her earlier characters in ways both subtle and direct, while bringing inscrutable grit that quietly evokes the tough broads of 1940s Hollywood. Their partnership is one of the great husband-and-wife collaborations of contemporary world cinema.

The Aftermath trailer, review, release date, dc wiki, dc comics, Budget, imdb Rating, Cast, Cast Salary 2019

In 1946 Rachael Morgan arrives in the ruins of Hamburg to be reunited with her husband, Lewis, who is a British colonel charged with rebuilding the shattered city. As they set off for their new home, Rachael is stunned to discover that Lewis has made an unexpected decision: They will be sharing the grand house with its previous owners, a German widower and his troubled daughter. In this charged atmosphere, enmity and grief give way to passion and betrayal.

Initial release: March 15, 2019 (USA)
Director: James Kent
Based on: The Aftermath; by Rhidian Brook
Story by: Rhidian Brook
Distributed by: Fox Searchlight Pictures


Film synopsis :  

The Aftermath  Full Movie Watch

The Aftermath  Full Movie Download

As the Allies were determined no former Nazis were going to be in positions of responsibility, Walter was installed as Governor to Pinneburg, a district just west of the city of Hamburg.

He was given use of a local mansion, but instead of ordering the German owners to leave, instead opted to share the property with businessman Wilhelm Ladiges, his wife Erika, daughter Heike, seven, and sons Theo, 12 and Holger, five.

The Ladiges had the first floor and the Brooks the ground floor, but both families shared a kitchen in the basement.


Directed by James Kent
Produced by
  • Jack Arbuthnott
  • Malte Grunert
  • Ridley Scott
Screenplay by
  • Joe Shrapnel
  • Anna Waterhouse
Based on The Aftermath
by Rhidian Brook
  • Keira Knightley
  • Alexander Skarsgård
  • Jason Clarke
Music by Martin Phipps
Cinematography Franz Lustig
Edited by Beverley Mills
  • Amusement Park Films
  • Scott Free Productions
Distributed by Fox Searchlight Pictures
Release date
  • February 26, 2019 (GFF)
  • March 1, 2019 (United Kingdom)
  • March 15, 2019 (United States)
Running time
108 minutes
  • United Kingdom
  • Germany
  • United States
Language English

Film Review: 

There is a striking, butterscotch-gold silk dress that Keira Knightley wears in The Aftermath. Its neck is a halter, the straps making an X at her throat. It dips seductively low in the back; shortly, its front will be speckled with a fine spray of blood.

In the same way that Knightley wore the hell out of the vibrant emerald gown Jacqueline Durran designed for 2007’s Atonement, she makes an impression here in writer-director James Kent’s handsome second feature, set in Hamburg circa 1945, in the aftermath of the Allied victory . It feels wrong to reduce the entirely capable Knightley to her costume, especially given her nimble and lively turns in recent films Colette and the forthcoming Official Secrets, but her performance here is tic-y, affected, prim, only really coming alive in the steamy love scenes with Alexander Skarsgård’s hunky German architect (not grown man has ever looked as good in a cardigan).

Knightley plays grieving mother Rachael, who is struggling to settle into the mansion she and her husband, Captain Lewis Morgan (Jason Clarke), have requisitioned, uncomfortable sharing it with its original German owner, Stefan Lubert (Skarsgård) and his teenage daughter, Freda , (Flora Thiemann). Though its plotting becomes soapy somewhere in the first act, things eventually build to a satisfying emotional finale. Still, something is missing; the tone frustrates, caught awkwardly between lusty, full-out melodrama and thin period drama.

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Never Grow Old trailer, review, release date, dc wiki, dc comics, Budget, imdb Rating, Cast, Cast Salary 2019

An eleven-peaceful frontier town becomes a den of vice after vicious outlaw Dutch Albert and his gang arrive and begin gunning down their opposition. Undertaker Patrick Tate must now choose between the blood money he makes burying the murderers’ victims and the threats he and his family face as the death toll continues to rise.
Initial release: March 15, 2019 (USA)
Director: Ivan Kavanagh
Screenplay: Ivan Kavanagh
Producers: Nicolas Steil, Jacqueline Kerrin, Dominic Wright

Never Grow Old  Full Movie Watch

Never Grow Old Full Movie Download

Film synopsis :  

According to Dirty Rotten Tomatoes, the movie is described as, “Debauchery. Greed. Murder. Welcome to Garlow. The once-peaceful frontier town is now a den of vice after vicious outlaw Dutch Albert (John Cusack) and his gang arrived and began gunning down their opposition. Undertaker Patrick Tate (Emile Hirsch) must choose between the blood money he makes burying the murderers’ victims and the threats he and his family face in this intense and gritty western.”


Not to be confused with the hit World War I Documentary “They Shall Not Grow Old” by Peter Jackson, “Never Grow Old” is a dark and tells a completely different kind of story. Set in 1849 frontier America, a different era but still reminiscent of “The Witch” in tone, an Irish undertaker profits when outlaws come into his town, but his family comes under fire as the death toll rises.

The undertaker appears to have made the decision to help the outlaws in exchange for money for his family and is now struggling with his moral compass. The trailer asks what appears to be the central question of the film once you’ve crossed an uncrossable moral line: “Do you feel proud of yourself ?!”

The Western indie film is the newest adventure for John Cusack, who stars as the film’s outlaw antagonist. Cusack is currently traveling around the U.S. hosting events and screenings of some of his old classic films like “High Fidelity” and “Grosse Pointe Blank.”

Here is the official synopsis:

Debauchery. Greed. Murder. Welcome to Garlow. The eleven-peaceful frontier town is now a den of vice after vicious outlaw Dutch Albert (John Cusack) and his gang arrived-and began gunning down their opposition. Undertaker Patrick Tate (Emile Hirsch) must choose between the blood money he makes burying the murderers’ victims and the threats he and his family face in this intense and gritty western.

Directed by Ivan Kavanagh, he is the filmmaker behind the “Tin Can Man,” and “The Solution.” Starring alongside Cusack is Emile Hirsch, Déborah François, Antonia Campbell-Hughes, Danny Webb, Anne Coesens, Blake Berris, Paul Reid, and Léa Seydoux.

A Saban Films and Lionsgate co-release, “Never Grow Old” is set to be released in select U.S. theaters and on Video On Demand starting March 15th, 2019.

Film Review: 

Do you feel proud of yourself ?! “Saban Films has unveiled the first official trailer for an indie western titled Never Grow Old, which is a shortened version of the original working title Where Will Never Grow Old. An American frontier town The plot is about an Irish undertaker who profits when outlaws take over a peaceful town, but his family comes under threat as the death toll rises Emile Hirsch plays the undertaker, and the cast includes John Cusack, Déborah François, Antonia Campbell-Hughes, Danny Webb, Anne Coesens, Blake Berris, Paul Reid, as well as Léa Seydoux A film about this film is so poorly lit in. every scene, do not think this dastardly new western is going to impress anyone.

Debauchery. Greed. Murder. Welcome to Garlow. This eleven-peaceful frontier town has become a vice after vicious outlaw Dutch Albert (John Cusack) and his gang arrived-and began gunning down their opposition. Undertaker Patrick Tate (Emile Hirsch) must now choose between the blood money he makes burying the murderers’ victims and the threats he and his family face in this intense and gritty western. Never Grow Old is both written and directed by Irish filmmaker Ivan Kavanagh, director of the films Tin Can Man, The Solution, Our Wonderful Home, The Fading Light, and The Channel previously. This film has nit premiered at any film festivals or otherwise. Saban Films + Lionsgate will release Kavanagh’s Never Grow Old in select US theaters + on VOD starting March 15th, 2019 next month. Who’s interested

Vod, Lionsgate and Saban Films have released a poster and trailer for writer-director Ivan Kavanagh’s upcoming western thriller which stars Emile Hirsch, John Cusack, Déborah François, and Léa Seydoux ; take a look here … Debauchery. Greed. Murder.

Never Grow Old  Full Movie Watch

Never Grow Old Full Movie Download

Welcome to Garlow. The eleven-peaceful frontier town is now a den of vice after vicious outlaw Dutch Albert (John Cusack) and his gang arrived-and began gunning down their opposition. Undertaker Patrick Tate (Emile Hirsch) must choose between the blood money he makes burying the murderers’ victims and the threats he and his family face in this intense and gritty western.


The Highwaymen release date, dc wiki, dc comics, trailer, review, Budget, imdb Rating, Cast, Cast Salary 2019

Former Texas Rangers Frank Hamer and Maney Gault join forces to try and capture notorious outlaws Bonnie Parker and Clyde Barrow.
Initial release: March 15, 2019 (USA)
Director: John Lee Hancock
Distributed by: Netflix
Music composed by: Thomas Newman
Screenplay: John Lee Hancock, John Fusco, Scott Frank

Film synopsis :  


Netflix has released the trailer for The Highwaymen. The film follows the “untold true story” of the former Texas Rangers (played by Kevin Costner and Woody Harrelson) who captured and killed the notorious outlaws Bonnie and Clyde. The detectives were notable because they relied on their instincts and old school skills rather than the latest technology employed by the FBI.

The Highwaymen  Full Movie Watch

The Highwaymen  Full Movie Download

Does anyone watch 1967’s Bonnie and Clyde and think, “I wonder what the detectives were up to?” While there’s nothing necessarily wrong with being on the side of law enforcement, they don’t seem like the most electric and intriguing part of this story, and even the film’s synopsis is like, “And these heroes didn’t use any newfangled things like science or technology to stop criminals!” While I like Costner and Harrelson, this seems like the least interesting angle available on this story, and I don’t really trust a director like John Lee Hancock to imbue with much life considering he drained the ugliness and callousness from a brutal story like The Founder. Maybe this one will be surprising, but the trailer doesn’t inspire much confidence for the movie being more than “Hard-nosed lawmen get the job done!” Something tells me we won’t be talking about this one like we still do with Bonnie and Clyde.

Check out The Highwaymen trailer below. The film will play in theaters on March 15th before arriving on Netflix on March 29th. The Highwaymen also stars Kathy Bates and Kim Dickens.




Directed by John Lee Hancock
Produced by
  • Casey Silver
Written by
  • John Fusco
  • John Lee Hancock
  • Kevin Costner
  • Woody Harrelson
  • Kathy Bates
  • John Carroll Lynch
  • Kim Dickens
  • Thomas Mann
  • William Sadler
Music by Thomas Newman[1]
Cinematography John Schwartzman
Casey Silver Productions
Distributed by Netflix
Release date
  • March 10, 2019 (SXSW)
  • March 29, 2019 (United States)
Running time
132 minutes
Country United States
Language English
Budget $49 million

Film Review: 

Netflix releases a trailer for The Highwaymen, in which Kevin Costner and Woody Harrelson hunt down two of America’s most infamous criminals, Bonnie Parker and Clyde Barrow. The crime drama examines the perspectives of two real-life Texas Rangers, while paying less attention to the Depression-era antagonists who killed at least nine police officers and four civilians while robbing banks throughout the United States.

In 1967, Arthur Penn released the film Bonnie and Clyde, which helped kick off the New Hollywood movement and further glamorized Parker and Barrow. Over the years, photos old and new have romanticized the bank robbers’ relationship, which ended abruptly when they were gunned down on May 23, 1934 in Louisiana. Parker was 23-years-old at the time of her death, and Barrow was 25. In 2017, a previously unpublished photo emerged which purportedly shows Bonnie and Clyde embracing in Joplin, Missouri, shortly before they were tracked down. After 102 days of actively pursuing the bank robbers, Texas Ranger Frank Hamer and his six-man posse ultimately located the duo and fired over 100 rounds. In The Highwaymen, directed by John Lee Hancock (The Blind Side), Costner portrays Hamer and Harrelson co-stars as fellow Ranger Maney Gault.

Today, Netflix released The Highwaymen’s trailer, which begins with some light-hearted banter between Costner and Harrelson’s characters as they discuss their battle wounds and health. From there, the clip establishes the appropriate narrative context, while introducing government officials like Kathy Bates’ Ma Ferguson and John Carroll Lynch’s Lee Simmons. By the second half, the trailer details the painstaking investigative efforts of both Hamer and Gault, all the while using quick edits to briefly show Bonnie and Clyde. Overall, The Highwaymen trailer prioritizes mood over flashy visuals, along with the inherent danger faced by the titular lead characters. In the last shot, Harrelson declares: “Clyde may be King, but I’m a Texas Ranger.” See the trailer and poster below.

In 1993, Hancock collaborated with Costner for the Clint Eastwood drama A Perfect World. The road film chronicles a Texas Ranger’s pursuit of a convict, and Hancock wrote the script. While The Highwaymen has a similar premise, the story was written by John Fusco, the scribe behind the Billy the Kid movies Young Guns and Young Guns II. Fusco reportedly pitched The Highwaymen over a decade ago, hoping to shed more light on the Bonnie and Clyde case by telling Hamer’s story. The Highwaymen is set to premiere at South by Southwest next month and will debut on Netflix soon after.

With two established and relevant stars in Costner and Harrelson, The Highwaymen has the potential to be more than just another Western.

The Highwaymen  Full Movie Watch

The Highwaymen  Full Movie Download

In addition, both Hancock and Fusco have the resumes to suggest that Frank Hamer’s story is in good hands.

Finding Steve McQueen trailer, review, release date, dc wiki, dc comics, Budget, imdb Rating, Cast, Cast Salary 2019

Initial release: March 15, 2019 (USA)
Director: Mark Steven Johnson
Production company: Identity Films
Screenplay: Keith Sharon, Ken Hixon
Producers: Alexandra Klim, Andrea Iervolino, Monika Bacardi, Anthony Mastromauro, Silvio Muraglia

Film synopsis :   

Finding Steve McQueen  Full Movie Watch

Finding Steve McQueen  Full Movie Download

I’ve got a few questions for you. Are you a fan of seeing movies before they’re in theaters? Will you be in the Los Angeles area March 11th? And, finally, would you like to see William Fichtner, Rachael Taylor, Rhys Coiro and director Mark Steven Johnson participate in a Q&A for their new movie, Finding Steve McQueen? If you answered yes to these questions I’m about to make you very happy.

On March 11th at 7:30pm at the ArcLight Hollywood, Collider is partnering up with ArcLight Cinemas and Momentum Pictures for an early screening of Finding Steve McQueen and after the screening ends, I’ll be moderating a Q&A with William Fichtner, Rachael Taylor, Rhys Coiro and director Mark Steven Johnson

If you’re wondering how you can get in, we’ve got you covered. To see this free screening you need to email with the subject line “I Want to See Finding Steve McQueen” You need to include your name in the body of the email and if you’d like to bring a guest. We’ll be accepting emails until Friday March 8th and we’ll contact the people that won passes with specific info about the screening soon after.


Directed by Mark Steven Johnson
Produced by Monika Bacardi
Andrea Iervolino
Alexandra Klim (de)
Anthony Mastromauro
Silvio Muraglia
Written by Keith Sharon
Ken Hixon
Starring Travis Fimmel
Rachael Taylor
Forest Whitaker
William Fichtner
Cinematography José David Montero
AMBI Group
Identity Films
Paradox Studios
Distributed by Global Road Entertainment
Country United States
Language English

Film Review: 

If you’re not familiar with Finding Steve McQueen, the heist comedy dives into one of the most ridiculous, yet little-known robberies in United States history. Vikings star Travis Fimmel stars as getaway driver Harry James Barber, who—along with a crew of fellow thieves from Youngstown, Ohio—tried to steal millions in under-the-counter campaign contributions from Richard Nixon’s illegal fund. (In the true story, the gang made off with about $9 million from the United California Bank, around $54 million by today’s standards.)

Here’s what director Mark Steven Johnson had to say about the film:

The story of the United California Bank Robbery is one of the greatest stories never told. Back in 1972, the leader of a small group of safecrackers from Youngstown, Ohio got a tip from Jimmy Hoffa: President Nixon was hiding up to $30 million in dirty campaign funds in a bank in Laguna Niguel. Propelled by their hatred for Nixon, the gang travelled to California to rip off the President of The United States.

It was during this time that Watergate was brewing, putting their audacious heist right in the eye of the storm. The fact that these small town crooks were so far in over their heads brings a lot of natural comedy to the story. They actually got caught because they forgot to run the dishwasher (a new invention at the time) in their stakeout house, leaving fingerprints on the dirty dishes for the FBI to discover. You can’t make this stuff up… The story of the United California Bank Robbery is a truly incredible one — but it was Harry’s story that made me want to make this film.

finding-steve-mcqueen-imageHarry Barber idolized Steve McQueen. He even used his name as an alias while working the heist. But with the FBI hot on their tail, Harry was forced to go on the lam and assume yet another identity, “John Baker.” He hid out in a small town in Pennsylvania where he fell in love (with the sheriff’s daughter no less) and stayed for seven years before his past finally caught up to him. Most heist films are about the robbery itself. The drama comes from waiting to see if they’ll get away with it or not. In our film the heist is already over when the movies begins. Seven years have gone by. The drama isn’t whether or not Harry will get away with it — it’s what happens when his past catches up to him.

“Finding Steve McQueen” is an unbelievable true story about one of the most daring bank jobs of all time. But at its heart it’s a story about identity. Who we are versus who we want to be — and what happens when those worlds collide.

Finding Steve McQueen  Full Movie Watch

Finding Steve McQueen  Full Movie Download

The story is an interesting combination of drama, romance and broad comedy — the kind that started my career when I wrote “Grumpy Old Men.” It’s one of those fascinating footnotes in American History that deserves to be told. And with a crooked president in the White House and a scandal looming…it’s a story that has never been more relevant.